QIWEN JU




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Recent ︎︎︎
Works @ Brown

︎︎︎ Marketing Materials
︎︎︎ Exhibition Design
︎︎︎ Brand Identity


Archive ︎︎︎
Poster Design

︎︎︎ Stop Asian Hate
︎︎︎ Alienation
︎︎︎ If You Could See What I Hear
︎︎︎ The Grid
︎︎︎ Freelance Poster
︎︎︎ Creative Poster

Publication Design

︎︎︎ Openness (RISD MFA Thesis)
︎︎︎ We
︎︎︎ El Lissitzky And Werner Jeker
︎︎︎ On This Day
︎︎︎ Reframing Story
︎︎︎ Other (WIP)

Branding Design

︎︎︎ Chinese Medicine Box
︎︎︎ World Heritage Sites — Fuji Mountain
︎︎︎ Craftiles
︎︎︎ Astronaut Hall of Fame
︎︎︎ Daily Tea
︎︎︎ Melatonin Gummies
︎︎︎ Other Logo

Web/Mobile Design

︎︎︎ RISD Map
︎︎︎ Reflotus

Type Design

︎︎︎ Moiré Typeface
︎︎︎ Escape From Reality

Exhibit Design

︎︎︎ Maze
︎︎︎ Tap And Type
︎︎︎ Architect Exhibit
︎︎︎ History Exhibit
︎︎︎ Animal Exhibit

Information Design

︎︎︎
Three Trips
︎︎︎ 
Country Data

Media

︎︎︎ Photography
︎︎︎ Video

Other

︎︎︎ Illustration
︎︎︎ Printmaking


CRAFTILES
Personal Research — Fall 2021
Branding Design ︎︎︎ Identity / Packaging / Marketing

A rising number of indigenous crafts worldwide are now in danger of becoming extinct or endangered, largely as a result of their time-consuming nature, and fewer craftspeople who possess these specialized skills. In Britain, a Red List issued by the Heritage Crafts Association notes the number of critically endangered crafts there biannually, from scissor making in Sheffield to watchmaking in London. The number has more than doubled since 2007. As a campaign, Carftiles was established in 2021 and is committed to inheriting and protecting the precarious traditional handicraft industry.